When I dyed the wool for this second in my Objects series (to see #1 go to this post), I thought that the purplish color might not be strong enough. Now that the piece is finished, I find that I like the balance of colors, which are lighter and grayer than in #1. The shapes and hooking patterns are meant to give an illusion of overlap: yellow over violet over gray. The swoop of yellow is more wavy than I intended, but this isn't unusual for the inexact process of rug hooking and I don't mind it, or the dip and rise of the upper edge. I like the obviously hand-made, obviously not-perfect quality, so different from the precision of my paintings.
In the detail you can see how very variable the loops of wool are. I hook by eye and by feel; when looking at each loop individually, I know it squeezes this way and that, slightly higher or lower than its neighbor; but stepping back, it becomes a part of a textured whole.
Below are the first two of four pieces of my Objects series, based on screen shots from the film Objectified, hung on my studio wall.
i love the soft muted colors of this one and the composition with its negative/ positive switching in the gray and mauve with the yellow just going its own way (like lightening)
ReplyDeletethanks, rappel!
ReplyDeleteI love the organic feel, ironically so opposite from many of the man (woman?) made objects in OBJECTIFIED.
ReplyDeletethanks, Julie. I enjoy the transformation from whatever first inspires the image.
ReplyDeleteLove the gray/mauve/wheat colors & the composition.
ReplyDeleteCheryl
thanks so much, Cheryl.
ReplyDelete