Since the weather had cooled off a bit yesterday, and the forecast was for showers and thunderstorms, it seemed like a good day to get out the dye pots and dye wool for a new rug hooking project. The working title is Tilted Ovals. I start with thumbnail sketches (I have hundreds of them) of compositional ideas. If there's one I like, I do a small––this one is 3.5 x 7 inches––watercolor sketch. This gives me guidelines for color, but just guidelines because as I explained in the Tiles post, dyeing is a unpredictable process. I did a full sized drawing so I would know how much wool I needed for each color; a rule of thumb is 4 times the area of wool for each shape; a 5 x 10 inch shape will need 20 x 10 inches of wool for hooking.
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Then I look through my swatch book of Cushing Dye samples to find colors that will work for this piece. These are acid dyes which are set using some white vinegar in the dye pot.
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So I dyed all 6 pieces of wool, rinsed and spun them in the dryer, and then found that the color was too way off on several pieces for me to use. The reds were too sharp (too much cherry probably) or too bright. So I had to dull them with some green, since green is the color complement of red. I pulled out some bronze green dye and mixed it up, then added it to the boiling water with vinegar. I redyed 4 pieces, and that did the trick.
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So that's how you work it. Thanks. I think this has a lot in common with ceramic glazes... Now you cut the wool into strips?
ReplyDeleteYes, now the wool is cut into thin strips for hooking. I plan to show some of the process when I get going with this new project.
ReplyDeleteGreat post, Sultan, I applaud. beautiful photos to accompany the descriptions of the process. I especially love the photo of the dyes in canning jars. The background between the jars jumps forward to my eyes....so beautiful is that negative space and its color.
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